Hello, hello, ello! Yes, I do like the puns…but seriously…let’s get to the nitty-gritty! Mixing of Paganism with Christianity governs what most people believe…
Most people think of a halo and automatically picture some kind of divinity…depending on your ‘religion’. What I find really strange about this world is…not many people question WHY we do the things we do. Why do we honor such an emblem, or religious element? Did something happen in the ancient past to cause people to immediately get on their knees? I believe so.
Please don’t get confused. The point of this article is to reveal the parallels of ancient symbols in correlation with the end times. Notice how they all point back to the same deities, and religions…and of course the All-Seeing Eye!
A halo also known as a nimbus, aureole, glory, or gloriole) is a ring of light that surrounds a person in art. In the sacred art of Ancient Greece, Ancient Rome, Hinduism, Buddhism, Islam and Christianity, among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or in Asian art flames, around the head, or around the whole body, this last often called a mandorla. Halos may be shown as almost any color, but as they represent light are most often depicted as golden, yellow, white, or red when flames are depicted.
A glory is an optical phenomenon that resembles an iconic saint’s halo about the shadow of the observer’s head, caused by light of the Sun or (more rarely) the Moon interacting with the tiny water droplets that make up mist or clouds. In China, this phenomenon is called Buddha’s light. It was often observed on cloud-shrouded high mountains, such as Huangshan Mountains and Mount Emei. Records of the phenomenon at Mount Emei date back to A.D. 63. The colorful halo always surrounds the observer’s own shadow, and thus was often taken to show the observer’s personal enlightenment (associated with Buddha or divinity).
Interestingly…Mount Emei is one of the “Four Sacred Buddhist Mountains of China. We must remember…the DRAGONS of China, are yet another clue!
This homo-organic phonetic etymon derivation for “halo” also coincides very well with the Hebrew Semitic “halal” meaning “shining”. References to the Shining Ones can be found in several ancient texts worldwide. Many names were given to these entities…serpent gods, Olympians…etc…but it all falls into the same category!
It first appeared in the culture of Hellenistic Greece and Rome, possibly related to the Zoroastrian hvarena – “glory” or “divine lustre” – which marked the Persian kings, and may have been imported with Mithraism. Though Roman paintings have largely disappeared, save some fresco decorations, the haloed figure remains fresh in Roman mosaics. In a 2nd-century AD Roman floor mosaic preserved at Bardo, Tunisia, a haloed Poseidon appears in his chariot drawn by hippocamps. Significantly, the triton and nereid who accompany the sea-god are not haloed.
In a late 2nd century AD floor mosaic from Thysdrus, El Djem, Apollo Helios is identified by his effulgent halo. Another haloed Apollo in mosaic, from Hadrumentum, is in the museum at Sousse.
Jesus and nine of the Twelve Apostles depicted with “Floating” disk haloes
In one special case, at Cervon (Nièvre), Christ is seated surrounded by eight stars, resembling blossoming flowers. At Conques the flowers are six-petalled. At Cervon, where the almond motif is repeated in the rim of the mandorla, they are five-petalled, as are almond flowers -the first flowers to appear at the end of winter, even before the leaves of the almond tree. Here one is tempted to seek for reference in the symbolism of the nine branched Chanukkiyah candelabrum. In the 12th century a great school of Judaic thought radiated from Narbonne, coinciding with the origins of the Kabbalah. Furthermore, at Cervon the eight star/flower only is six petalled: the Root of David, the Morningstar, mentioned at the close of Book of Revelation (22:16) (In one of the oldest manuscripts of the complete Hebrew Bible, the Leningrad Codex, one finds the Star of David embedded in an octagon.)
Did you get that? The mixing of the Kabbalah with Christianity?
8 Pointed Star
The Crown of Immortality, held by the allegorical figure Eterna (Eternity) on the Swedish House of Knights fresco by David Klöcker Ehrenstrahl
A circle of stars often represents unity, solidarity and harmony in flags, seals and signs, and is also seen in iconographic motifs related to the Woman of the Apocalypse as well as in Baroque allegoric art that sometimes depicts the Crown of Immortality.
Don’t be distracted…the point here is WORSHIP. The worship of false idols. MEANING: The stars!
The Zodiac is an ancient circle of stars were some stars are symbolically combined into 12 Star signs also known as constellations. The etymology of the term Zodiac comes from the Latin zōdiacus, from the Greek ζῳδιακός [κύκλος], meaning “[circle] of animals”, derived from ζῴδιον, the diminutive of ζῷον “animal”. We must remember that the fallen angels performed genetic experiments on animals, and now humanity is repeating this. Everything is cyclical!
WHO were the stars in the Bible? The Sons of GOD. This includes the fallen angels. We are warned repeatedly NOT to worship them, and the celestial bodies. When researching this part, I noticed this subject was inclusive of one another…meaning MIXING of the two! Again mixing Paganism with Christianity.
The Crown of Immortality is a separate and earlier motif (and metaphor) which also uses a circle of stars. It has been widely used since the Early Church as a metaphor for the reward awaiting martyrs, but they are not depicted in art wearing a circle of stars. In art the use is mainly in Baroque allegorical compositions, and those with Ariadne.
Who’s thrown into the mix again? Greek gods…e.g. fallen angels and their descendants.
Muhammad leads Abraham, Moses, Jesus and others in prayer.
Nataraja is a depiction of the Hindu God Shiva as the cosmic dancer who performs his divine dance to destroy a weary universe and make preparations for the god Brahma to start the process of creation.
In 2004, a 2m statue of the dancing Shiva was unveiled at CERN, the European Center for Research in Particle Physics in Geneva.
Depictions of Perseus in the act of slaying Medusa, with lines radiating from his head, appear on a white-ground toiletry box in the Louvre and on a slightly later red-figured vase in the style of Polygnotos, ca. 450-30 BC, in the Metropolitan Museum of Art.
On painted wares from south Italy radiant lines or simple haloes appear on a range of mythic figures: Lyssa, a personification of madness; a sphinx; a sea demon; and Thetis, the sea-nymph who was mother to Achilles. The Colossus of Rhodes was a statue of the sun-god Helios and had his usual radiate crown (copied for the Statue of Liberty). Hellenistic rulers are often shown wearing radiate crowns that seem clearly to imitate this effect.
Further afield, Sumerian religious literature frequently speaks of melam (loaned into Akkadian as melammu), a “brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, and also by temples of great holiness and by gods’ symbols and emblems.”
The Colossus of Rhodes was a statue of the Greek titan-god of the sun Helios, erected in the city of Rhodes, on the Greek island of the same name, by Chares of Lindos in 280 BC. It is one of the Seven Wonders of the Ancient World.
The world has established a system of an elite embodiment of royalty. Certain people who either believe they are above everyone and everything, including GOD. These people rule the world, and have the authority to establish bloodlines and rule over the masses. Don’t believe for one second that they don’t conjure their powers from other sources. Celestial sources. I believe this is where ‘crowns’ and royal colors like purple and so on originate.
The mixing of symbols, signs and signatures are part of the confusion placed upon mankind. Satan is the father of chaos. The idea? To get people to believe they can become gods!
CERN is playing an integral part in the prophetic days ahead. Opening portals for these false gods/idols to enter is part the final stages of Revelation! This reminds me of the article I saw recently about a ‘sleeping giant’…
Although I don’t agree with David Wilcock on his research, this one is interesting because it includes the subject of the giant red-headed beings and the technology used to keep them in stasis, awaiting their appointed day of awakening.
Creepy Giant in Stasis
Is this part of the picture of Revelation where the ‘entities’ arise from the Euphrates River?
Prometheus was an interesting movie where the elite reveal their ‘ancient alien’ theory, yet again! We have a puzzle, folks…can you put the pieces together?
Playing ‘god’ will only plunge mankind into the abyss…