On May 3, 2012-Coldplay, a British Pop Band performed on American Idol. I had heard of them previous to this performance but never gave any mind to their work. But the symbolism in their performance was undeniable. It was obvious!
American Idol is nothing less than a gesture to the America public that it needs idols. It is the avenue through which the Illuminati choose their next victims. Some of the contestants acknowledge this, some don’t but soon will through no choice of their own if they want to be idolized as a celebrity.
FREAKY SYMBOLS-THE LETTER ‘M’ -GREEK
Mu (uppercase Μ, lowercase μ; Ancient Greek μῦ [mŷː]), Modern Greek μι or μυ [mi]) is the 12th letter of the Greek alphabet. In the system of Greek numerals it has a value of 40. Mu was derived from the Egyptian hieroglyphic symbol for water (𓈖) which had been simplified by the Phoenicians and named after their word for water, to become mem ￼. Letters that arose from mu include the Roman M and the Cyrillic М.
Mu is the name of a hypothetical continent that allegedly existed in one of Earth’s oceans, but disappeared at the dawn of human history.
↑EQUILATERAL FREEMASON CROSS↑
The concept and the name were proposed by 19th century traveler and writer Augustus Le Plongeon, who claimed that several ancient civilizations, such as those of Egypt and Mesoamerica, were created by refugees from Mu—which he located in the Atlantic Ocean.
The idea of Mu first appeared in the works of Augustus Le Plongeon (1825–1908), after his investigations of the Maya ruins in Yucatán. e claimed that he had translated the ancient Mayan writings, which supposedly showed that the Maya of Yucatán were older than the later civilizations of Greece and Egypt, and additionally told the story of an even older continent.
Le Plongeon actually got the name “Mu” from Charles Étienne Brasseur de Bourbourg who in 1864 mistranslated what was then called the Troano Codex using the de Landa alphabet. Brasseur believed that a word that he read as Mu referred to a land submerged by a catastrophe. Le Plongeon then identified this lost land with Atlantis, and turned it into a continent which had supposedly sunk into the Atlantic Ocean:
“In our journey westward across the Atlantic we shall pass in sight of that spot where once existed the pride and life of the ocean, the Land of Mu, which, at the epoch that we have been considering, had not yet been visited by the wrath of Humen, that lord of volcanic fires to whose fury it afterward fell a victim. The description of that land given to Solon by Sonchis, priest at Sais; its destruction by earthquakes, and submergence, recorded by Plato in his Timaeus, have been told and retold so many times that it is useless to encumber these pages with a repetition of it”.: ch. VI, p. 66
Le Plongeon claimed that the civilization of ancient Egypt was founded by Queen Moo, a refugee from the land’s demise. Other refugees supposedly fled to Central America and became the Mayans.
Le Plongeon, a Freemason, was also convinced that the roots of Freemasonry were to be found in the ancient Maya culture.
While most of Le Plongeon’s contemporaries dismissed his theories, individuals such as Ignatius Donnelly and Helena Blavatsky drew upon Le Plongeon’s research for their own theories.
Mu, as a lost Pacific Ocean continent, was later popularized by James Churchward (1851–1936) in a series of books. Churchward claimed that “more than fifty years ago,” while he was a soldier in India, he befriended a high-ranking temple priest who showed him a set of ancient “sunburnt” clay tablets, supposedly in a long lost “Naga-Maya language” which only two other people in India could read. Having mastered the language himself, Churchward found out that they originated from “the place where [man] first appeared—Mu.”
The O.T.O. (Ordo Templi Orientis)
Churchward gave a vivid description of Mu as the home of an advanced civilization, the Naacal, which flourished between 50,000 and 12,000 years ago, was dominated by a “white race,”: p. 48 and was “superior in many respects to our own”: p. 17 At the time of its demise, about 12,000 years ago, Mu had 64,000,000 inhabitants and many large cities, and colonies in the other continents.
Churchward claimed that the landmass of Mu was located in the Pacific Ocean, and stretched east-west from the Marianas to Easter Island, and north-south from Hawaii to Mangaia. He claimed that according to the creation myth he read in the Indian tablets, Mu had been lifted above sea level by the expansion of underground volcanic gases. Eventually Mu “was completely obliterated in almost a single night”: p. 44: after a series of earthquakes and volcanic eruptions, “the broken land fell into that great abyss of fire” and was covered by “fifty millions of square miles of water.”: p. 50
Churchward attributed all megalithic art in Polynesia to the people of Mu. He claimed that symbols of the sun are found “depicted on stones of Polynesian ruins,” such as the stone hats (pukao) on top of the giant moai statues of Easter Island.
Churchward claims the king of Mu was Ra and he relates this to the Egyptian god of the sun, Ra, and the Rapanui word for Sun, ra’a, which he incorrectly spells “raa.”: p. 48 He claimed to have found symbols of the Sun in “Egypt, Babylonia, Peru and all ancient lands and countries – it was a universal symbol.”
What may seem as just jibberish or oddly shaped figures turn out to be anything BUT! These symbols are dangerous! They are used to invoke demons, evil spirits, and jinns. This is not mere child’s play!
CIRCULUM for invoking demons
Lead Singer, Chris Martin said it was reference to the album’s characters, the girl (Mylo) and the boy (Xyloto) respectlively.
↑EYE OF HORUS↑
The band had already started to research and work with graffiti on their home studios, The Bakery and The Beehive, (A FREEMASON SYMBOL) when designer Misty Buckley introduced Paris to them, as they were looking for a graffiti artist to teach them the techniques to do it.
Coldplay wanted it to be an explosion of vivid colors as a counterpoint to the subdued color palette of Viva La Vida, and at the same time there were lots of lyrics and codes they wished to add. Researches and development into street art started six months before the work had begun. Then a graffiti wall was painted by the band itself and Paris, formed by nine parts. Why 9? HERE
The final versions of the covers have a picture of the wall, half of the CD’s were packed with the booklet flipped, showing the silver initials “M X” via a die-cut sheet placed over the photo on the front, while the other half was packed with the full picture and the full name of the album written over it. Both covers use an original typo created for this work, the new font is used in most of the album’s graphic promotion.
Don Quixote (FREEMASON SYMBOLISM)
MOVING TO MARS
During the recording sessions, one of the band’s roadies under the pseudonym of “Roadie 42″, blogged about Moving To Mars in February 2011, using the acronym ‘MTM’. He said:
“Every room had some kind of writing or recording setup on the go – you even had to time your use of the kettle carefully, as a laptop and speakers had been set up in the kitchen and Jonny was in there working on his epic lead for MTM. So, by comparison, the first few weeks of the year felt like a ghost town.”
In a cover story run by the American publication Billboard on Mylo Xyloto, the magazine described the track as a “‘Major Tom’-meets-Sinatra exercise”. With regards to the song, guitarist Jonny Buckland stated:
“It probably won’t make it (the record). It was just one of those ones. There was a period where it all worked, then it sat for a bit, we threw (out) lots of ideas, brought them together, pulled them apart, put them back on. We always like the beginning… that intimate sound. And we thought, ‘Where can we take it? What can we do?’”
Somewhere up above the stars
The wreckage of a universe floats past
Somewhere up above my heart
A tiny little seed is sown,
A government is overthrown,
Who knows when we’ll be coming home at last
And I heard it on the radio
That one day we’ll be living in the stars
And I heard it on a tv show
That somewhere up above
And in my heart
They’ll be tearing us apart,
Maybe moving us to mars
Past the satellites and stars,
Maybe moving us to mars
We won’t see the earth again
In these seconds just remain unchanged
8 to 9, 9 to 10
We are meeting for the first time
We might never meet again you and me
We are meeting for the first time
Can’t you see
We are meeting for the first time
Singing this space symphony
They’ll be tearing us apart moving us to mars,
Past the satellites and stars
They’re moving us to mars
The album’s second single, “Paradise”, was released on 12 September 2011. That same day, Chris Martin announced that Rihanna would be featured on “Princess of China”.
Aha, I gotcha, uh…
[I]With the same sword they knight you, they gon’ good night you with
Shit, that’s only half if they like you
That ain’t even the half what they might do
Don’t believe me, ask Michael
See Martin, see Malcolm
See Biggie, see Pac, see success and its outcome
See Jesus, see Judas
See Caesar, see Brutus, see success is like suicide
Suicide, it’s a suicide
If you succeed, prepare to be crucified
Media meddles, niggaz sue you, you settle
Every step you take, they remind you you’re ghetto
So it’s tough being Bobby Brown
To be Bobby then, you have to be Bobby now
And the question is, “Is to have had and lost
Better than not having at all?”
The following entry (an interview with author Rebecca Scott) was featured in “XXL,” Magazine: HERE
Churchward, James (1931). The Lost Continent of Mu. Ives Washburn. pp. 335 pages.
ROLLING STONE MAG