Pantheon Demigods of Lucifer’s Church PT2
In this second part of the Pantheon Demigods of Lucifer’s Church, we will reveal some connections of bloodlines. This is very important! And yes, it does circle back to the Roman Catholic Church!
First, before we get into the history lesson, you must understand that the Bible is ALL ABOUT bloodlines. GOD exposes this for good reason. These bloodlines are part of the fallen angel scenario. They came and mated with our women, which produced the Nephilim, and the Bible tells us in Genesis 6:4, that they were here even after the flood.
GOD also speaks of the Dan tribe, and the Hittites, and many other names of bloodlines because we need to know who they were and how this fits into modern reigns of the elite.
The “Sea People” which will be showcased here are part of the bloodlines which came from Atlantis. Keep this in mind as you read.
Diodorus of Sicily and Berosus give us the names of the twelve great gods who presided over the twelve months of the year and the twelve signs of the zodiac.
I will include many of the articles which coincide with this research as we go along.
In Greek mythology Medusa “guardian, protectress”) was a monster, a Gorgon, generally described as having the face of a hideous human female with living venomous snakes in place of hair. Gazing directly into her eyes would turn onlookers to stone.
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used most famously by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant.
A triskelion or triskele (which invariably has rotational symmetry) is a motif consisting of three interlocked spirals, three bent human legs, or three bent/curved lines extending from the center of the symbol.
The triskelion symbol appears in many early cultures, the first in Malta (4400–3600 BC) and in the astronomical calendar at the famous megalithic tomb of Newgrange in Ireland built around 3200 BC, Mycenaean vessels, on coinage in Lycia, and on staters of Pamphylia (at Aspendos, 370–333 BC) and Pisidia. It appears as a heraldic emblem on warriors’ shields depicted on Greek pottery.
Familiar as an ancient symbol of Sicily, the symbol dates back to when Sicily was part of Magna Graecia, the colonial extension of Greece beyond the Aegean. Pliny the Elder attributes the origin of the triskelion of Sicily to the triangular form of the island, the ancient Trinacria (from the Greek tri- (three) and akra (end, limb)), which consists of three large capes equidistant from each other, pointing in their respective directions, the names of which were Pelorus, Pachynus, and Lilybæum.
A triskelion is the symbol of Sicily, where it is called trinacria, as well as of the Isle of Man, Brittany, and the town of Füssen in Germany.
The flag of Sicily (Sicilian: Bannera dâ Sicilia; Italian: Bandiera siciliana) was first adopted in 1282, after the successful Sicilian Vespers revolt against the king Charles I of Sicily. It is characterized by the presence of the triskelion (trinacria) in its middle, the (winged) head of Medusa and three wheat ears. The three bent legs allegedly represent the three points of the triangular shape of the island of Sicily, or the historical three valli of the island.
The triskelion is an ancient symbol, used by the Mycenaeans and the Lycians. It is not known for certain why the symbol was originally adopted on the Isle of Man. Before its adoption in 1932, the official flag of the Isle of Man was the Union Jack.
The Mycenaeans buried their nobles in beehive tombs (tholos tombs), large circular burial chambers with a high vaulted roof and a straight entry passage lined with stone. They often buried daggers or some other form of military equipment with the deceased. The nobility were frequently buried with gold masks, tiaras, armor, and jeweled weapons. Mycenaeans were buried in a sitting position, and some of the nobility underwent mummification, whereas Homer’s Achilles and Patroclus were not buried but cremated, in Iron-Age fashion, and honoured with a gold urn, instead of gold masks.
The Merovingians use the bee symbol.
From a chronological perspective, the Late Helladic period (LH, 1550–1060 BC) is the time when Mycenaean Greece flourished under new influences from Minoan Crete and the Cyclades. Those who made LH pottery sometimes inscribed their work in Linear B, a syllabic script recognizable as a form of Greek. LH is divided into I, II, and III; of which I and II overlap Late Minoan ware and III overtakes it. LH III is further subdivided into IIIA, IIIB, and IIIC.
It connects to Egypt and also to the Roman Catholic Church!
Late Helladic pottery typically stored such goods as olive oil and wine. LHI ware had reached Santorini just before the Thera eruption. LHIIB began during LMIB, and has been found in Egypt during the reign of Tuthmosis III. LHIIB spanned the LMIB/LMII destruction on Crete, which is associated with the Greek takeover of the island.
LHIIIA:1 corresponds with the reign of Amenhotep III, who recorded with the heading ti-n3-y ‘Danaans‘ (Mycenaean *Danawoi, later Greek loses w, the digamma ϝ, before a vowel) the apparently equal cities d-y-q-e-i-s ‘Thebes’ (Mycenaean *Thegʷais, the gʷ develops into b in later Greek) and m-w-k-i-n-u ‘Mycenae’ (Mycenaean *Mukanai). LHIIIA:1 also corresponds with the time of Attarsiya, the Man of Ahhiya, who alternately attacked and aided the rebel Madduwatta of Zippasla. Ahhiya and its LHIIIA:2-B derivative, Ahhiyawa, can be linked to Greece only indirectly. The Hittites did not use any term approximating ti-n3-y; and they did not link Ahhiya, with these cities, or any other projected LBA names of known Greek cities. Also, no “Attarsiyas layer” of LHIIIA:1 has yet been found in western Anatolia. Still, Ahhiya must refer to a powerful people off the coast of Miletus, and Greece is the best available option at this time.
LHIIIA:1-period ti-n3-y/”Ahhiya” (and for that matter LHIIIA:1 Greece) did not feature otherwise in the inscriptions of the great kings of the Bronze Age, and certainly not as a coherent state.
LHIIIA:2 ware was in the Uluburun shipwreck, and was in use at Miletus before Mursili II burned it in circa 1320 BC. At this time, actual maritime trade was the specialty of the Cypriots and Phoenicians (so the presence of LH ware does not necessarily mean the presence of Mycenaeans).
Since the decipherment of the somewhat younger Linear B tablets, it is thought that the people we call Mycenaeans might have been Achaeans or later subjected by them. No written source found at a Mycenaean site reveals what they called themselves. Upon a reading of the Iliad, where the residents of the Peloponnesus and adjacent islands are often called Achaeans, and taking into account mention of the Ahhiyawa in Hittite sources from the Late Bronze Age, the theory suggests itself that the Mycenaeans could possibly even be Achaeans. The Tawagalawa Letter written by an unnamed Hittite king of the empire period (14th–13th century BC) to the king of Ahhiyawa, treating him as an equal, suggests that Miletus (Millawanda) was under his control and refers to an earlier “Wilusa episode” involving hostility on the part of Ahhiyawa. Ahhiya(wa) has been identified with the Achaeans of the Trojan War and the city of Wilusa with the legendary city of Troy.
From the existing evidence, it seems that the Mycenaean religion was the mother of the Greek religion. The Mycenaean pantheon already included many divinities that can be found in Classical Greece.
This is the Olympian demi-gods! I believe the Sea People were the demi-gods of Atlantis. The Fallen Angels!
The Mycenaean period has not yielded sculpture of any great size. The statuary of the period consists for the most part of small terracotta figurines found at almost every Mycenaean site in mainland Greece, in tombs, in settlement debris, and occasionally in cult contexts (Tiryns, Agios Konstantinos on Methana). The majority of these figurines are female and anthropomorphic or zoomorphic. The female figurines can be subdivided into three groups which were popular at different periods: the earliest are the Phi-type, which look like the Greek letter phi and their arms give the upper body of the figurine a rounded shape. The Psi-type looks like the letter Greek psi: these have outstretched upraised arms. The latest (12th century BC) are the Tau-type: these figurines look like the Greek letter tau with folded(?) arms at right angles to the body. Most figurines wear a large ‘polos’ hat.
Several explanations have been advanced for the causes of the decline of Mycenaean civilization in this period. Those concerning natural factors (climate change, earthquakes) are considered more controversial. The two most common theories are population movement and internal conflict. The first attributes the destruction of Mycenaean sites to invaders; sometimes the Dorians or the Sea People are invoked.
Some scholars believe that the destruction of the Mycenaean centres, was caused by the wandering of northern people. They destroyed the palace of Iolcos (LHIIIC-1), the palace of Thebes (late LHIIIB), then they crossed Isthmus of Corinth (end of LHIIIB) they destroyed Mycenae, Tiryns and Pylos, and finally returned northward. However, Pylos was destroyed by a sea-attack, probably by the Sea People. The invaders didn’t leave behind traces of weapons or graves, and it cannot be proved that all the sites were destroyed about the same time.
The movements of people to the Middle East at this period, are mentioned in Egyptian inscriptions calling the invaders by the name of the Sea People, are quite real. It is known that these people were responsible for numerous destructions in Anatolia and the Levant, and finally they attacked Egypt in several phases (circa 1301-1164 BC). Mention of a people called Eqwesh who attacked Egypt during the reign of Merneptah, in an Egyptian text of the 12th century BC has caused specialists to suppose that the Mycenaeans had taken part in these invasions (this is not certain). A country Danaja (Danaans) with a city Mukana (probably: Mycenea) is mentioned in inscriptions from Egypt.
Emily Vermeule suggests that the breaking-up of the commercial networks at the end of the 13th century BC, was disastrous for Greece, and it was followed by the attack of the Sea People who were searching for new lands. However, most of the destroyed Mycenaean sites are far from the sea, and the expedition against Troy at the end of this period shows that the sea was safe. Desborough believes that the sea was safe in central and south Aegean in this period.
There is the second theory, which has the Mycenaean civilization falling in the course of internal societal conflicts brought on by a rejection of the palatial system by the most underprivileged strata of society, who were impoverished at the end of the Late Helladic. This hypothesis is sometimes joined with the preceding one, mingling social divisions with ethnic divisions. However, social revolutions couldn’t break out almost simultaneously throughout Greece. Mylonas believes that some developments in Argolis and attempts for recovery after 1200 BC, can be explained by internal fighting, and by pressure created by the Dorians. Even if the Dorians were one of the causes of the Bronze age collapse, there is evidence that they brought with them some new elements of culture, a cist grave completely different from the Mycenaean “tholos”, and a new dialect of Greek, Doric. It seems that the Doric tribes moved southward gradually over a number of years, and they devastated the territory, until they managed to establish themselves in the Mycenaean centres.
In this context, it has to be stressed that the beginning of the Iron Age made large numbers of comparatively cheap weapons accessible. This economic factor is also seen as a root cause of the appearance of the “Sea Peoples” in Egypt and the destruction of Ugarit and the Hittite Empire.
DO YOU SEE?
Yes, tho it was quite boring to read…you must understand it’s about bloodlines.
The Roman Catholic Church keep these things under the Vatican because of who they worship.
OTHER THINGS OF INTEREST
Pigna- (Pine Cone)
When St.Peter’s was completely rebuilt (1506-1614), the fountain and the canopy were dismantled, and most of the precious materials were reused for other purposes. The only parts spared were the peacocks and the pine-cone, which in the early 17th century were moved to the Cortile della Pigna, now part of the Vatican Museums, their ultimate location.
The peacocks now on display in the courtyard by the pine-cone are copies; the original ones, which still shine as gold (as the old chronicle says), are kept indoors, in a gallery of the same museum.
The Pigna sculpture sits in a Vatican courtyard called the Court of the Pine Cone. The Egyptian staff of Osiris (c. 1224 BC) not only depicts cobras but has them rising up to meet at a pine-cone.
Left: The magnificent ruins of Angkor Wat in Cambodia, one of the most magical and spiritual places on earth, are filled with pine cone symbolism. Right: Antithetical animals flank an enlightened bodhisattva at Angkor Wat.
The majestic stone ruins of Angkor Wat are a marvelous sight to behold. Immense towers shaped like pine cones silhouetted against the sky rise out of the lush green jungle in a way that defies the imagination. The pine cone shaped towers are often cited by scholars:
“The individual spires at Angkor have a…pine-cone profile…”
—Benjamin Rowland, The Art and Architecture of India
Above: Built by the Romans, this 1st century Roman bronze sculpture, called the “Pigna” (“pine cone”), was once an ancient fountain.
Above: The pine cone staff of Osiris. Egyptian Museum in Turin, Italy, 1224 BC.
Some believe this is a representation of the pineal gland. I think it is too, but it’s a symbol of Satan’s enlightenment process. Hindu tradition teaches to awaken the Third Eye, one must activate the ‘seven chakras’. This is called Kundalini Yoga. The esoteric symbol of Kundalini yoga is the caduceus-a aymbol that features to serpents.
Left: The caduceus staff, carried by Hermes in Greek mythology. In ancient Rome it was depicted in the left hand of Mercury. Right: A visual representation of the practice of Kundalini yoga, the ultimate goal of which is to awaken the Third Eye hidden in the human forehead.
Thus, antithetical animal art associated with the pine cone—twin elephants in Indonesia, twin peacocks in Rome, twin serpents in Egypt but it’s a running parallel of pagan gods of Babylon, Egypt, Mexico, and Greece who were associated with pine cones.
Left: Sumerian God Marduk with pine cone in hand. Right: Dionysus, the Romans Bacchus, carried a “Thyrsus” topped with a pine cone.
And it should come as no surprise that the pine cone appears regularly throughout Masonic decoration. They are depicted in Masonic art, they hang from the ceilings of Masonic Lodges, and they are etched in stone on Masonic-constructed buildings throughout the world. A large Masonic design on the side of the Whitehall Building in the New York Financial District depicts two enormous intertwining snakes spiraling up to a pine-cone (which is striking similar to the Staff of Osiris).
Above: A caduceus depicting a pine cone appears on the Whitehall Building in New York City.
Pine cones also adorn ritual instruments used by Freemasons inside Masonic lodges:
“The tops or points of the [Masonic] rods of deacons are often surmounted by a pine-cone or pineapple.”
“Operative Masonry, in the fullest meaning of that term, signifies the process by which the Eye…is opened. E. A. Wallis Budge has noted that in some of the papyri illustrating the entrance of the souls of the dead into the judgment hall of Osiris the deceased person has a pine cone attached to the crown of his head. The Greek mystics also carried a symbolic staff, the upper end being in the form of a pine cone, which was called the thyrsus of Bacchus. In the human brain there is a tiny gland called the pineal body, which is the sacred eye of the ancients, and corresponds to the third eye of the Cyclops. Little is known concerning the function of the pineal body, which Descartes suggested (more wisely than he knew) might be the abode of the spirit of man. As its name signifies, the pineal gland is the sacred pine cone in man – the eye single…”
—Manly P. Hall, Secret Teachings of All Ages
This Cortille della Pigna, or Court of the Pine-cone, is home to the infamous 13-foot-tall bronze pine-cone statue, which coincidentally was originally part of a Roman fountain near the Pantheon. The statue was moved to the courtyard of the old St. Peter’s Basilica in the Middle Ages and then again in 1608 to where it stands today.
THE PINE CONE IS A SYMBOL OF DIONYSUS FOUND IN THE TEMPLE AREA OF EGYPTIAN GODS IN ROME. THE PTOLEMIES WERE MAJOR WORSHIPERS OF DIONYSUS.
The “Pigna” is a symbol of Asaru. It’s origin – a temple of Ast/Isis says it all. There is no story of Ast without including Asaru. Being a vegetation god, the Pine cone, especially the UNOPENED Pine-cone represents renewal literally everlasting life.. In this case a Pagan symbol – not a re-purposed Pagan symbol but a Pagan Symbol used by the HEAD of the Christian world in the same manner that it was first used in the ancient world.
Wow! now that tells us a lot! But wait…let’s not forget that peacocks represent Lucifer!
For example, the peacock has been a symbol for things like immortality, royalty, pride, renewal and the all-seeing eye of the church. There have also been references to peacocks as guardians of the Gates of Paradise.
Similarly, pine-cones have been associated with spiritual enlightenment, resembling the brain’s pineal gland (also known as the “third eye”), as well as eternal life since pine-cones are bore from evergreen trees. The pine-cone has also been mentioned in connection to the Tree of Life. And speaking of Dan Brown, the spiral pattern of a pine-cone also mirrors a perfect Fibonacci sequence.
“Consus on the other hand is the god of harvest, the deus condendi or deity of the stowing-away of the fields’ produce. As this however was originally stored in subterranean chambers, the old altar of Consus in the Circus Maximus was commonly hidden in the earth, and only dug up and laid bare for sacrificial uses during the festival of the Consualia, which were celebrated with races on the 21st of August and the 15th of December.
Ops Consiva, i.e. Ops as wife of Consus, is closely connected with the latter. She represents the opima frugum copia, or “foison plenty;” which is stowed away at harvest-time; her two feasts, the Opiconsivia and the Opalia, are separated from those of her husband by an interval of only three days. Later Saturnus was identified with Kronos, Ops with Rhea, and many peculiarities of the Greek cult were transferred to the Roman.” Greek and Roman Mythology & Heroic Legend By Hermann Sleuding -pp. 113
Although I don’t agree with all his views, especially about the KJV Bible, I want to enter some thoughts by ‘the unhived mind’:
Notice how this Baal is in fact black. This is nothing to do with the Negros as they would like it to be. It is everything to do with the Planet Saturn, the Ultimate pagan God known to most as El and Ninurta. The Royals are supposedly have a Divine right to rule. Who gives them this Divine right? Who is their one true God? Why it’s Saturn. Why do those cretins where the crown on their heads exactly? What is the crown? It is representation of the Yoni Vagina and the rings of Saturn. A sexual union, generative principle takes place as the head of the phallic body enters the crown. The word crown comes from the Greek word Kronos. Kronos is linked to time as Chronos and of course is the God of Saturn in Greek. Notice the 8 pointed star of Shamash in the feminine wheel? Notice it within the wallpaper and above Baal’s head. Baal is infact the God of death known as Jupiter. Saturn is the God of Judgement, Darkness and Evil.
The Maltese Knights now own the old Templar headquarters down on Aventine Hill, one of the seven hills of the Harlot Rome.
The Jesuits created the Bavarian Order of the Illuminati when they were suppressed by the Pope in 1773 for being even too evil for the already evil beast Vatican. Since then they have commanded the Illuminati which has been the front to cover the Jesuit power that hides behind both the Illuminati and the Catholic Church for ultimate deception. The Jesuits have mastered the Vatican for hundreds of years and now we see their open power as a Jesuit Pope has taken the thrown and fleeced Cardinal Angelo Scola of his pontiff position just as the Jesuits removed Ratzinger prior to the need of a Conclave.
Take a look at the logo of the Jesuits and you will see the IHS of the ancient Knights Templar. How much more do you need before you will see through these soldiers of Lucifer? They created the Scottish Rite of Freemasonry which is the more open Knights Templar of today and an order that was created by the Jesuits in order to destroy all other forms of Templarism aka Freemasonry.
This is the most powerful order in the World and they have maintained their power for two-hundred years and to this very day as you can now see with this new evil Jesuit Pope Francis Ist the admirer of the wicked Borja family. The same Kingdom of Aragon, Borja family who created the Jesuit Order.
The area surrounding the Vatican is the Borgo named after the Borja’s. The Jesuits are feared by all and especially their The Entity division. Welcome to finally finding out who runs this World. The cat is finally out of the bag, the illusions are gone. If the Catholic Church feared and fear the Order then should we not be petrified of these soldiers? It is time we counter the Council of Trent since it has not been dissolved and still stands. The Council of Trent curses Protestants with over a hundred curses of death. Do you think this new Pope will be of worth to humanity? Think again his loyalty is to the Jesuit Order and only the Jesuit Order, he serves his General, Adolfo Nicolas SJ at the Curia Generalizia.
The Jesuit Order is the continuum of the witchcraft following Knights Templar who were allowed to survive by the Pope over in the Kingdom of Aragon (Order of the Calatrava./Montessa). The Jesuits are the teachers of the esoteric Mystery Religion amongst the elite levels of power which govern this World. As the Los Alumbrados leader, Ignatius Loyola the founder of the Jesuit Order was captured for practicing witchcraft. Do I have to remind you that the IHS is the logo of the Knights Templar. The Jesuit IHS has the symbol of the planet Saturn within the ‘H’ and this is Satanic symbolism for Satan.
Notice Saturn dwells in the constellation of Capricorn the goatfish and remember that Baphomet has the goat head on the hermaphrodite body (Venus/Lucifer worship). The Knights Templar were worshipers of Baphomet the devil as are all Freemasons which is the modern veil for Templarism today. A Templarism which has been taken over by the Jesuit Order using their Ancient and Accepted Scottish Rite. We should never forget that Albert Pike the Grand Commander of the Scottish Rite was handled by the powerful Jesuit soldier, Pierre-Jean de Smet SJ.
Now who rules the financial World? Its the Roman Empire aka the Holy See under the Company of Jesus (1814). The Admiralty Law which rules all commerce Worldwide is based on Vatican Canon Law last adapted in 1984. This Law was perfected by the Roman Empire like most other things they dominated and mastered. Whether you’re in Israel or Turkey you have to do business in the Roman Admiralty Law system which dates back to the Phoenicians and known as the International Maritime Admiralty Law or simply the Law of the High Seas. The sea being the source of the Ecclesiastical power of the Holy See aka Chair of Peter. The seas being controlled by the Moon Goddess Yarikh who the idolizing of Mary by the Catholic Church is really all about. Remember the Church worships Kronos, Zeus and Selene of Greek mythology.
-The Unhived Mind
Satan’s Throne At The Vatican…WEIRD!!!!!!!